Category Archives: architecture

Decade in review: 2007

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Continuing my review of the the past decade…

In addition to a plethora of US trips, 2007 had me returning to Canada once again. Canada has always been a favorite destination of mine. The weather suits me, the people are great, and the country offers such a wide variety of locations to photograph.

I had whet my appetite on Eastern Canada in 2004 when we drove across the Gaspe peninsula and down (er… up?) the St. Lawrence. In 2007 I had a chance to do a similar trip again — but this time in reverse and largely by train. I started in Montreal. I had only spent a few hours here in 2004 so I enjoyed having an opportunity to dig a little deeper. It’s a great city and one that Sally’s family has historic ties to so I’m sure I’ll be back again.

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From Montreal, I took the train to Quebec City and enjoyed a stay in the famous Fairmont Le Chateau Frontenac — without a doubt the most recognizable building on the Quebec skyline with its green copper mansard roofs. I spent most of my time wandering the old town. The weather was damp but it did nothing to detract from the beauty of the place.

A few days later it was back on the train, following the St. Lawrence toward the Atlantic. Around Mont-Joli, the train crossed the Gaspe peninsula through the same valley I had driven three years before. Much of the journey had been at night but dawn broke as we approached Chaleur Bay and I was able to enjoy the view from the large window in my tiny room as we followed the coastline to the tip of the peninsula at Gaspe.

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I took a whale watching boat out one morning and got to see the fluke of a humpback rise from the water as she dove away from our boat with her baby at her side. I made a rookie mistake while trying to steady myself on the violently rocking boat to get a shot and the autofocus caught the coastline behind the whale instead of the whale itself. You’ll just have to trust me that it was a spectacular sight.

Perce Rock is another landmark that I thoroughly enjoyed shooting on this trip. Maybe it’s because I’m a Kansan, but put a big huge rock in front of me with some nice light and I am one happy camper. I spend a great evening exploring the endless variety of ways to shoot this hunk of geology until the light was gone and I celebrated with one of the better bowls of seafood chowder that I’ve had in my life.

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Decade in review: 2004

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Continuing my review of the the past decade…

I attended my first SATW Annual Convention in 2004 in St. Moritz, Switzerland. It was an absolutely amazing trip. A highlight during the convention was a sunrise shoot from the peak of Mt. Pers in the Bernina Alps. A small group of us took the cable car up to the ski area at Diavolezza the evening before. There were some dormitories there where we spent the night, rising well before dawn to hike the rest of the way to the peak. With only LED headlamps to see by, we followed our guide up a steep, narrow and rocky trail. It was almost total blackness. I regretted taking my full pack with me immediately.

We arrived at the summit just as the horizon began to glow. I shot like a maniac for what seemed like only minutes but was probably more like an hour and a half. The shot above is one of the later images when the sun had risen and was beginning to send beams down through the fog in the valleys.

When it was time to head back to the lift, I finally noticed the trail we had come up on. It was a treacherously thin line snaking down an incredibly steep incline of sharp, loose rock with a sheer drop to one side. I was glad I hadn’t been able to see where I had been going on the way up. Once back at the cable car deck, there was another surprise — it had broken down. After some phone calls the decision was made that a rescue helicopter would be sent up for us. A great morning just got better!

When the helicopter arrived, we were divided into groups of three for our trips down the mountain. On my flight I got the distinct impression that the young pilot was trying to frighten the “tourists” by buzzing low over the mountain tops and descending quickly at a dizzying angle to the valleys below. I absolutely loved it.

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After the convention, I spent a few days in Lucerne before continuing south into the Ticino. I stayed at the Art Deco Hotel Montana within walking distance of the old town and its famous covered bridges. The hotel had its own funicular that would take you up the steep hillside from the lake and right to the lobby. My room had a balcony overlooking the old town — basically the reverse of the scene you see here as the hotel is on the near hillside in the center of this photo.

I had an unlimited rail pass for 10 days and made use of it to cross the Alps and spend one last week in the Ticino — the southern, Italian-speaking part of Switzerland. This area is very different from most people’s idea of Switzerland. The Italian influence is everywhere and the climate is more tropical.

I remember having difficulty in planning for this trip in choosing between staying in Lugano or Locarno. Both are in the same region and I was really looking for a town that would be walkable and very distinctive. My thought process was that I had shot many of the iconic Swiss scenes in Zurich, St. Moritz and Lucerne — I wanted this last week to focus on a side of Switzerland that would be entirely different and visually unique. I also felt that the Ticino was less well-covered in the stock world so images might have more value.

In the end I chose Lugano and just made a day trip to Locarno. I feel that Lugano was definitely the right decision and had the picturesque setting that I had hoped for. On the shore of Lake Lugano and surrounded by mountains, my rail pass also gave me free access to excursion boats to more remote towns like Morcote and Ghandria (seen here).

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It was a great trip and I came away with a lot of images for the stock files. The only downside was a cold or sinus infection that I came down with while in Lucerne. Upon arrival in Lugano I visited a small pharmacy in amidst the butchers and grocers of the local market. I pantomimed my symptoms to the non-English-speaking pharmacist and was given something called “Retard”. To this day I’m not sure what it was but I felt nearly perfect within hours.

Decade in review: 2003

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Continuing my review of the the past decade…

2003 marked the year that I moved solidly to digital. I still had my F100 and shot film on assignment for publications that hadn’t themselves transitioned to digital yet, but for my stock work — and especially international travel — I was 100% digital.

The images in this post come from a trip to Greece and Turkey in May and June of 2003. I had a Nikon D100 and traveled with a Mindstor portable storage device and a 12″ Powerbook for back-up. I remember it was startling how easy it was to pass my entire camera bag and laptop through the airport x-ray equipment without a worry of images being fogged. I was done flying with film and I’ve never looked back.

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I loved Greece and only wish I’d had more time there. With just a few days in Athens and Delphi, then a short cruise to the islands of Crete, Patmos, Rhodes, Mykonos, Santorini, and a quick stop at Ephesus in Turkey, it was a lot packed into a short time and there was never time to wait for good light. I took what I could get and considered it to be a great scouting opportunity. One day I’ll go back and spend a few days each in one or two places but I now have a much better idea of where I’d like to spend that time.

Of the Greek islands, I think the Cyclades were my favorite. Mykonos and Santorini belonged to this group of rough and rocky islands and I found them to be endlessly photogenic with their whitewashed jumbles of blocky houses and shops.

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These two are from Mykonos. My research had told me that there were a row of windmills on the far side of town from the docks so I made my way immediately in that direction to catch sunset. There’s no direct route to anywhere on Mykonos but wandering the narrow streets was half the fun. The shot looking up through the balconies was taken on the walk back to the boat.

One other lesson learned on this trip: it was during this time that Athens was gearing up for the Olympics and that meant that everything was under construction or renovation. Probably not the best time to visit a place for stock photography. There was scaffolding everywhere. The construction also meant that many images would be dated almost immediately. Still, there’s so much to see in Athens that I wasn’t short of things to photograph. The highway construction that was going on between the city and the airport did make for some nervous moments before catching the flight home, though.

Decade in review: 2001

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Continuing my review of the the past decade…

2001 slipped past me with no international travel. I’d had another Canadian trip in late 2000 and would go to the Yucatan peninsula in Mexico in early 2002, but the 12 month period that was 2001 was all US travel. The shots on this page came from a fall trip to New Mexico. The one at the top of the post is from Acoma Pueblo and has long been a favorite of mine. I went back to Acoma last year and it was very different. A large interpretation center has been built and many of the buildings on the mesa had been spruced up. Most of these ladders had been freshly painted white and the timeless feeling that I had loved from my first visit had eroded away a little. I’m glad I’d had the opportunity to see “Sky City” in 2001 while it was still a little more rustic.

I also remember another fall shoot in 2001, in the Great Lakes area just after 9/11. It was during the time that all of the flights were grounded and it struck me as I photographed Lake Michigan from the beach near Charlevoix that there were no contrails crossing the sky from planes coming out of O’Hare. A noticeable difference from previous trips to that spot.

On my return home from that Michigan trip, I stopped and shot a little in Pella, Iowa. One image in particular that I remember making may have been the last 4×5 transparency that I shot. It was a twilight scene in a new mixed-use development that had just been built downtown. The buildings were all designed to reflect the Dutch style (Pella has a big tulip festival every year) with a canal flowing through the courtyard. I was using my Tachihara field 4×5, correcting for perspective distortion with its bellows.

The fact that I can’t come up with a digital version of that shot to post here goes to show how much has changed in the last 8 years. I have the transparency, but I no longer have a way of scanning large format film here in the office. I used to use a backlit flatbed scanner — which didn’t give very good results — or I would send images out for commercial scans. This particular image was never scanned for my stock files so it languishes in the “dead film” cabinet. The following year would pretty much see the end of my use of film and everything would change.

Petroglyphs, Santa Fe County, New Mexico, USA

Here’s another New Mexico shot — some petroglyphs near Santa Fe. The New Mexico light was always a great fit for film. I shot a lot of Velvia at that time, along with some Provia when I didn’t want the saturation to be quite so strong. It’s funny, I loved that super-saturated look that I would get with Velvia, but when I try and mimic the look using digital techniques, it looks artificial to me. Obviously, it was artificial on film, too. But somehow it was easier to accept film altering a scene than doing it purposefully in digital. The film choice was purposeful, too, but it seemed somehow more honest than cranking the saturation slider in Photoshop. As time moves forward, I’m becoming more adventurous with pushing reality digitally, though. Something we’ll probably see over the next few posts.

Looking through these images from 9 and 10 years ago is making me realize that, at that time, I was really more of a landscape photographer. My mentors at the time were landscape shooters and it was a gradual transition for me to go from landscape to what I now consider “travel” which is a broader description that can include architecture, interiors, action, people and even food. I’m now shooting fewer pristine landscapes and am incorporating a lot more of the man-made world. It’s a reflection of both what interests me and what is needed in the marketplace.

Snow tangle

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Ever since moving back to Lawrence, I’ve been meaning to take some photos of this sculpture on the KU campus. It’s a structure built of woven branches that surrounds a tree so that the living branches grow through its walls (I’ll have to get the name of it and the artist after the big pile of snow melts that’s currently covering the plaque). I have some ideas for a night shot but just haven’t managed to make the 2 mile trek over some evening to do it. The local shots are always the hardest, aren’t they? I suppose it’s because you can do them anytime so why bother now. Maybe the light will be better tomorrow night, etc. etc.

Another light snow last night — maybe two or three inches — and I decided to check out my sculpture and see if the snow added anything. As it turned out, it didn’t stick as well to the branches as I’d hoped, but it was still a good opportunity to scope the site out for my later return for a night shot. What I’d had in mind isn’t exactly going to work, but I now have some new ideas. The night shot doesn’t require snow, though, so I think I’ll wait for it to warm up a bit.

Here’s a shot I did like from this morning, though. It’s taken from inside the sculpture (yes — it’s big enough to have a small party in there) looking out at the Natural History Museum. I toned it with a color overlay layer in Photoshop to give it a little eerie coolness. It’s a shame that I’m limited to 500 pixels in width here because it has a great texture when you see it really large.

Tough work if you can get it

Luxor Hilton

I can’t complain about my job. I try to but nobody buys it. Truth is, it’s a pretty darned good job. I get to stay at places like the Luxor Hilton (shown above) in Luxor, Egypt and take photos. Sounds pretty sweet, doesn’t it? Take a look back across that infinity pool in the other direction:

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That’s the Nile beyond the pool and the palm trees and the Valley of the Kings lies just over that mountain.

No. It’s a pretty good life.

The downside is the upside. I never get to relax by such a pool. With beautiful light like this, you’d better believe I’m scampering around taking photos. Whether I’m on assignment or not, I have to shoot. It would be painful for me to sit on one of those lounge chairs and “relax.” Relax? Are you kidding me? No, I’ll take the 2:00 am wake-up calls and the long days lugging a backpack full of gear. It’s my job.

And I wouldn’t do anything else.

Update: Okay… full disclosure. I don’t ALWAYS get to stay in places like the Luxor Hilton. Need I tell you about the time I spent a freezing winter night by a river in a four-foot-tall plywood enclosure with a cardboard box for a toilet so that I could shoot some migrating birds? ‘Nuf said.

But I still think it’s a pretty good job.

In the Pen

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Sorry for my recent absence… I’ve been in the penitentiary.

Don’t worry — just touring. After a few days in St. Louis last week, we stopped in Jefferson City, Missouri, to tour the recently decommissioned Missouri State Penitentiary with our guide Mark Schreiber (above). Mark was the Deputy Warden when the site closed and has tons of great stories. Tons. The tours are definitely worth checking out but be sure to get reservations as they are sold out weeks in advance.

I’m now in the Black Hills of South Dakota. The weather is currently toying with us but this is one of those places that I think is just as beautiful in the rain. Still, I’d take a little sunshine. Fingers crossed…

Holland… Michigan, that is

Windmill in Holland, Michigan

Just back from a few days shooting in the Holland, Michigan area. What a beautiful place! The tulip festival was the previous week but the blooms were still holding up. Clouds would roll in and out but clear skies were always there when needed. This is Holland’s Windmill Island complete with an authentic Dutch windmill, moved here in the 1960s.

I’m heading into one of the busiest shooting seasons that I can remember and I probably won’t have another full day in the office until sometime in the latter half of June. Fun stuff ahead — I’ll post whenever possible.

Ballooning in Luxor, Egypt

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When I heard that there would be 23 of us riding in the same balloon basket for a sunrise shoot on the west bank of Luxor, I hesitated. That’s a lot of folks and I knew everyone would want to be on the edge for photos but I was assured that the basket would be large so I woke up pre-dawn on my Nile cruise boat, took a bus to another dock where a small open boat ferried us across the river to another bus, which took us past the Colossi of Memnon to our launch site just over the ridge from the Valley of the Kings.

The basket was just large enough. We were shoulder to shoulder but it worked. The only worry came when changing lenses as you pretty much had to do that over the side but I returned to the earth with all the lenses and caps that I had left with.

And the views erased any doubt over whether I should have gone. The pre-dawn lift-off, sunrise over the nile, the other 20 or so balloons in the air, temples and village life. Possibly my most productive hour of the trip.

One room schoolhouse

Flint Hills schoolhouse

Busy days lately but I took a day off to go shoot with my K4/Photodudes buddies on Friday. The sky was mostly dreary but opened up once or twice like it did here at a one room schoolhouse in the Flint Hills near the ghost town of Volland. Hardly a lost day, though, as it was really more about hanging with other photographers than getting marketable shots. Looking forward to the next trip, guys — let’s make it soon.

One more week until I’m on the road again headed for Albuquerque. Still lots of Egypt shots to share so I’ll try and get a few online before I go.