
An assignment in my own home town has spurred a new personal project. When I moved to Lawrence, Kansas, a couple of years ago (has it been that long already?) I had intended to begin documenting the town photographically. While it seems like shooting in your own “back yard” would be the easiest thing in the world, it’s amazing how hard it can be to actually get out and do it. It’s too easy to get distracted by work, or mowing the lawn, or just plain every day life. When I’m on the road, I’m there to shoot and nothing else so it’s easy to stay focused. Even if the weather isn’t perfect, I’m out shooting because I only have limited time on location. When I’m home, it’s easy to say “maybe the light will be better tomorrow night”.
But nothing kicks me into action like a paying gig so, when an assignment came along for a story on some local civil war sites, it finally got me out of the house. First stop: the Eldridge hotel.
The Eldridge was burned down on multiple occasions during the years leading up to the civil war by pro-slavery raiders. Rebuilt each time, it is now a local landmark. I wanted a new angle so I contacted my friend, Doug, who offices across the street to see if he could get me on the roof. Being the great guy that he is, he did just that.
After popping off a few exposures of the KU campus (above) I settled into the shot I had in mind for the Eldridge. I wanted a long twilight exposure that mixed the sunset with the street lights below. I framed it up on the tripod and attached the release cord. Then it was just a matter of firing off a few shots every few minutes as the light faded and the shop lights came on.
In the end, I combined a few shots to get this one:

Since I had shot several variations while locked down on the tripod, I could easily stack different exposures on layers and “paint in” elements of each using layer masks. The bulk of this image is one shot, from late in the set where the sky was darkest, but I did paint in some of the facade of the hotel from a shot prior to sunset to give more detail and balance the contrast a bit. I also painted in a few people on the sidewalk that appeared in various exposures.
I’m going to keep exploring other angles for this shot. The microwave tower behind the hotel is distracting (I could Photoshop it out but not for an editorial shoot – darn those ethics) and I would rather be on an angle with the hotel to add some dimension to it. Next time I’ll try shooting from street level, diagonally across from the building and see how that works.
It’s nice to have plenty of time for this project. Unfortunately, I can’t always spend so much time on each shot but, in this case, I’m looking at the assignment as an excuse to do some work I’d wanted to be doing for myself anyway. And it all goes into the stock files eventually.

Inspired by the hillside of blooms in the photo, I chose a little lump of a hill in the yard not too far from the front door. In my mind it will be just like the scene in Canada — lush green and thick with blooms. I bought one largish potted lupine and six smaller ones at the local greenhouse. The largish pot had a good sized bud so I figured that if everything went south, I might at least get one bloom before the hillside returns to wasteland. Lo and behold, a couple of weeks later I have my bloom.









