Category Archives: Uncategorized

Situation update

constructionAgain, my apologies for the limited posts and all of the other ways that I’m neglecting my friends and family. Progress is moving along at the new house but it’s taking a lot of our time right now. Along with the work that we’re doing to ready the old house for the market and the “real work” that we have to fit in to pay for all of this, let’s just say it’s been busy. Real busy.

There is light at the end of the tunnel, though. We may be starting to move in by the first of August. Don’t worry, change of address cards will be in the mail shortly. Oh dang! I have to get those made, too!!!

Painting the outside of the old house today. Since the ladder has to rest inside the neighbor’s fence, let’s hope they keep the dog inside…

Bear with me. Normality (such as it is) will return soon. Oh — and I almost forgot. Yes, I am excited about the new Nikon D700. I barely caught the news of it in all this chaos but what I’ve seen so far looks great.

Distant Fire

Missouri River

Here’s a shot from a quick trip up to Atchison this weekend. As you can see, Spring is not yet here. But it’s not far off. The budding trees are a reminder of just how fast this year is flying by.

Within the last couple of weeks the calendar has begun to fill up with work. Some hard work — other work that’s almost more like play. It’s going to be crazy around here for the next few weeks… okay, maybe months… but I’ll try and keep the posts coming as often as possible. Buckle up and bear with me…

Adobe Lightroom 2.0 beta

Lightroom Learning Center

Adobe Labs has posted a beta version of Lightroom 2.0 for download. Some good resources are available on NAPP’s Adobe Photoshop Lightroom 2.0 Learning Center.

Lightroom Adventure 2008More related links are available on John Nack’s blog. One that I find particularly interesting as a travel photographer is this link to Adobe Photoshop Lightroom Adventure 2008, Destination: Tasmania. “A dozen top photographers overcome the challenges of nature and technology on the assignment of a lifetime…”

In April, 2008, a group of internationally renowned photographers will travel to the end of the world, literally, to the remote island of Tasmania. Their mission is to road test specialized digital photography software designed by Adobe while capturing images from one of the world’s most mysterious and varied geographic locations.
Using Adobe Photoshop Lightroom, photographers will upload, sort, keyword, adjust, and output their Raw images while still working in the field.

Topeka 2000 logoSounds right up my alley although I’m a little peaved that they are using a logo that’s very similar to one I designed in 1999 for a local redevelopment campaign (left). Oh well, they can make it up to me by offering me an all-expense-paid-plus-full-dayrate position on the next Lightroom Adventure. Seems only fair.

Tidbits…

My copy of Joe McNally’s “The Moment it Clicks” arrived earlier this week and I have to say, I had trouble putting it down. If you aren’t familiar with this photographer, check out his blog or website. He’s seen it all, done it all. Each spread in the book has an image and the story behind it, told to provide a little nugget of inspiration or technique that you can use in your own work. I don’t expect to be working on any Joe-Mcnally-esque projects soon (ie – I won’t be renting a trained elephant for $8000 a day) but I do plan on using his creativity as a good kick in the pants. We all get used to doing what we do and it’s nice when a book like this comes along to relight that fire and get you thinking again. Thanks, Joe.

A couple of other interesting things this week:

Adobe released its new online tool called Photoshop Express. I haven’t had a chance to look it over yet but I was made a bit leary of it when I saw this post on John Nack’s blog about the rights you grant Adobe to the images you put on the site. Hopefully they will get that sorted out soon.

And my brother pointed out this info about the new version of Apple’s Aperture software that was posted on DP Review. Sounds interesting as it allows the use of third-party plug-ins within Aperture.

Peyto Lake Panorama

Peyto Lake

I returned from Canada late Saturday night and jumped right back into work on Sunday. Today I finally had enough of a breather to start the post-processing from this trip. The shot above is a pano created with the Photo Merge command in Photoshop from eight separate shots I took at Peyto Lake. I shot them vertically from left to right, handheld, with a fair amount of overlap between frames. What I ended up with is a 70+ megapixel image that has detail that’s hard to believe. I am so spoiled by Photo Merge. This would have been hours of work to manually fit these images together.

More Canada photos to come as I work my way through the files. It’s almost like taking the trip twice — although I’d much rather be there in person again. What a great location and great people. I hope to get back soon.

Maligne Canyon ice hike

Maligne Canyon ice hikeI had a great experience last night on the Maligne Canyon ice hike in Canada’s Jasper National Park. This is a trip you must make with a guide. Boots and ice spikes are provided — a necessity for the second half of the hike when you are literally walking on the frozen and sometimes slushy river. It’s a pretty good trek from the parking area to the ice falls and fairly disorienting in the dark with only an LED headlamp to show you the way. There are a few overlooks at the top of the falls that are accessible during the day on your own but the fun of the night trip begins when the guide leads you off of the path and down into the canyon. It’s similar to exploring a cave except you can see the stars between the high canyon walls and many of the formations are ice instead of stone. This is not a trip that can be made in the summer as the river prevents all access.

To say that this was a challenge to shoot would be an understatement. It’s a three-hour trip and you’re not encouraged to linger too long in any one place. In my case, I was with a group which added the challenge of getting time exposures without other’s flashes going off. Still some nice images were made. Here the guide shines his hand-held light behind a frozen ice flow.

It’s a great trip and I would highly recommend it. Just be aware that it is exceedingly slippery in places and it pays to follow the advice of a good guide to get the best footing and avoid a wet and chilly surprise.

Snowshoeing at Lake Louise

Lake Louise

SnowshoeingGrabbed a few shots of Lake Louise this morning with some fog coming off of the ice. There was a patch of open water at the lake’s outlet that provided another nice opportunity for a reflection. The fog came up almost instantaneously and only remained for 15 minutes or so but it was beautiful while it lasted.

Afterward it was time to do some snowshoeing and grab a few shots of local outdoorsman Paul Sylvestre. I particularly liked this shot that I grabbed blind from a low angle as he walked past. “Kinneared”, if you will. I held the camera right down to the snow and panned with him as he went by, moving into his shadow as he passed to get him backlit. I ended up with several variations that I really like and I appreciate Paul’s choice of clothing for the day. It really popped against the snow and sky.

Vermillion Lakes, Banff

Vermillion Lakes, Banff

Most of yesterday the weather was not kind to this photographer but perseverance paid off and just before sunset the clouds finally started to break up and the sun peeked through for a great evening shoot at Vermillion Lakes. I don’t use my Nikkor 10.5 fisheye all that much but I like the effect here. It looks like you’re on top of the world. I have to say, though… looking at that foreground ice now… I’m wondering how it supported my weight.

Huh.

Mount Rundle, BanffThe spot was perfect as it allowed for several shooting opportunities. Nearby hot springs had kept this body of water open and the stillness made for perfect reflections of the nearby mountains — including Mount Rundle shown at the right. Ice around the edge of the lake provided a good surface to shoot from as well as some nice leading lines and foreground elements. in other areas patches of golden reeds broke the surface of the water giving some nice warm color and a very different look than shots that were dominated by the ice. In the end I was able to grab lots of different images that don’t all look like they were shot in the same place or on the same evening. A very versatile location. What a great way to end a day.

A quick word of thanks to Bob for stopping by and leaving a comment yesterday. It’s always great to hear from you. Hope to see you again one day soon.

Why photographers are late

Moon over Banff

Still having a great time here in Banff on the pre-tour to the Society of American Travel Writer’s Freelance Council conference. Although it says “writers” in the name, there are many photographer members — myself included. This morning a vanload of us were on our way to breakfast when one of the photographers spotted the full moon setting behind these two mountains. The driver was strongly encouraged to stop the vehicle and he politely complied (it is Canada after all).

Insert sound of shutters tripping madly.

A few minutes later, the moon was gone and we made our way to breakfast. A terrific plate of smoked salmon scrambled eggs for me. And we weren’t really THAT late…

Orion over Lake Johnson, Banff

Orion over Johnson Lake, Banff

I arrived in Banff in Alberta, Canada yesterday afternoon to beautiful, clear skies and temps in the 30s (F). Much better than the below-freezing temps and ice storms I left back home.

I took this shot of the constellation of Orion on a moonlit hike on frozen Lake Johnson last evening. I haven’t done a lot of night photography and was surprised by how much difficulty I had focussing (time exposures can mislead — it was much darker out than it appears in the photo). I had to switch to manual focus because it was too dark for the autofocus to lock. Knocking the focus all the way to infinity didn’t result in sharp images, however. I needed to “pull back from the edge” a bit and stop down to use the depth of field to widen my in-focus area. It still seemed hit or miss at times (cold and increasingly numb fingers — and brain — might have also been contributing) but I managed to get a few reasonably sharp images.

Another photographer I was with, Michael DeFreitas, suggested using a fluorescent white balance — something he had learn on shoots in the Antarctic. I have to admit, it did give fairly clean whites and nice rich blues in such dim light. Thanks, Michael. I look forward to getting these back to the big screen in the office to see what detail and color I can pull out of them.