Category Archives: Blogroll

Bicyclists

bicyclists

I’m working on a project with JNA Advertising and the great guys over at Gizmo for the next couple of weeks that involves a bunch of quick-turn environmental portraits. Last night Tavio and his biking buddies made great subjects and I decided to try the Nikkor 10.5 fisheye with a little off-camera flash. I used the Nikon D300’s pop-up flash in commander mode and dialed it down 3 stops so that it wouldn’t influence the shot. It remotely triggered the SB-600 in my left hand that was cranked up 2 stops. I dialed the camera down 1 stop.

I wanted to overpower the ambient light with the flash to highlight Tavio in the foreground. It all took about as much time as it did to just explain it. The result here has had just a bit of vignetting added but is not too far from being straight out of the camera.

Revisiting Greece

mykonos steps

I thought I’d try something a little different tonight and revisit an old file — one that I didn’t really consider a keeper before — and see what I could do with it. I went back to the first international trip I made after switching to digital. It was a trip to Greece in 2003.

It’s not that I hadn’t shot digital at all before this, but Greece was the first trip I made with only a DSLR and no film body. I was shooting RAW with a Nikon D100 and this particular image was made with a Nikkor 17-35 at 17mm.

I’d never made a serious attempt to post-process this shot because it had a huge contrast range that made keeping the church tower from blowing out while holding the detail in the shadows very difficult. This evening I made two versions in ACR, one exposed for the highlights and one for the shadows. I put the highlight image on a layer above the shadow image and painted in a mask using a Wacom tablet to let the shadow detail come through. Throw in a few smart filters and there you go. Not perfect but not bad for a few minutes work.

Could I have done this with the software that was available back in 2003? Probably. But I’m pretty sure it would have taken me a lot longer. It’s pretty great having old RAW files around knowing that, as the software progresses (and hopefully my skill level as well) I can go back and reinterpret images to get better or at least different results.

Antiquity

This could be a long one but I’ll do my best to be brief.

My wife has an incredible collection of family furniture. Originally Scottish, some of the family wound up in Montreal where they were prominent engineers involved in, among other things, the building of the earliest canals along the St. Lawrence. Wealth followed and a mansion was built somewhere around the year 1800. The family had furniture built specifically for this home, sourcing the wood from as far as South America.

I’ll pause here to say that I’ve yet to entirely read the massive volume of family history that is somewhere among our packed belongings and I haven’t done any real research on this information. But, family lore has been passed down and I’m repeating it here. Hopefully I’ll get at least some of it right.

Not long after the construction of the mansion in Montreal, it burned. To the ground. But not before the servants were sent inside to save a few pieces of furniture including a large gentleman’s press (like a combination wardrobe and dresser), a gaming table, a foot stool and an enormous gilded mirror. In the following years, the family’s fortune disappeared but these few pieces of furniture survived and were dutifully passed from generation to generation. For the last 20 or so years, they’ve been in our possession.

The 200-plus years haven’t been entirely kind. We had the table restored a few years ago and, when it came time to move last year, we decided to deliver the gentleman’s press to the restorationists for its turn. It’s big — really big — and we figured that we could move it fewer times this way.

To make a long story short, it’s been there for a few months now and we’ve visited from time to time to consult on the details of the work. We made another stop yesterday and I decided to bring the camera along to record the progress. The piece had become nearly black with age and this trip would be the first where we would see a few of the parts with the build-up removed and the original glow restored.

restored piece of antique furniture

Suffice it to say that they are doing an incredible job. I was photographing a few of the resurrected parts like this door bracket, marveling at the glow and depth of the wood grain when…

I got distracted.

Did you notice the texture of the table that the woodwork is sitting on? I’ve been a semi-obsessed collector of textures for decades. They are part of an ongoing project of mine and this work surface was a gold mine. The restorationist probably thought I was nuts as I began to photograph the table top instead of the fruits of his restoration efforts. In the end I had over a dozen textures with a wide variety of tones and color like this:

texture

It may not look like much but — trust me — this kind of layered surface isn’t easy to find. What do I intend to do with them? Well, I’ve long been working on a series of artificially aged images that involve textures like these overlaid on other images to create the look of a worn and aged photo. I’ll post more of these later and plan an entire gallery on my site but here’s an example from last Fall’s trip to China:

Shanghai Pearl Tower

The original of this image can be seen here.

See? There was a photography-related aspect to this story after all. I’ll post more of my texture experiments later and, when the gentleman’s press finally arrives, I’ll post a before and after of it as well.

Just goes to show you — always take your camera.

Portrait from a moving bus

portrait of Egyptian man

A press trip can be a whirlwind. On my recent trip to China my host describe it as “admiring the blossom from a galloping horse”. No truer words have been spoken. Yesterday I was on a bus with several other photographers and riders for over seven hours. Sometime in the mid-morning, a friendly competition began to see who could grab the best shot from the window of the moving bus. The above is one of my entries. I have others I’ll share later but want to process on my better computer screen once I’m home.

For those interested in the technical details: Nikon D300 & 80-200 zoom at 200mm, ISO 400, f/6.7 at 1/1000 of a second. The bus was probably doing about 30 mph.

Pearl of Shanghai (part 1) and goal setting

Pearl Tower, Shanghai, China

I mentioned in an earlier post that my main goal on this trip to the Shanghai region of China was to get a good, iconic skyline shot of the Oriental Pearl Tower and the recently developed Pudong area. I showed a photo of two nearby skyscrapers — currently the tallest in China — with a fairly blue sky behind. This shot was taken from the observation platform of one of those skyscrapers, the Jin Mao, a few minutes later. The haze was much thicker from above and I’ve actually boosted the contrast quite a bit here to somewhat compensate for it.

A tip for those of you who have also found yourself shooting through glass in situations like this: get your lens as close to the glass as possible and drape your jacket over your head and camera to block any reflections coming from behind and beside you. You might look stupid but it gets the job done. Any color cast from tinted glass can be corrected in Photoshop.

This was not the iconic shot I wanted but in some ways the haze helps to separate the Pearl from the older city in the background so I don’t think it’s is a total loss. I still wanted the shot that was in my head, though. I’ll post my progress on that front as my last two days in Shanghai sped on in the coming posts.

Meanwhile, in the present, I’ve been making goals for the coming year. I’m not really a New Year’s Resolution kind of guy but I do like to have goals. They keep time from getting away from me.

Over the last year, I neglected my image files on Alamy. Between travel, moving, and feeding other stock agencies, I just didn’t increase the number of images placed with Alamy the way I should. So… 2009 is my catch-up year.

As of yesterday, I had 1024 images online with Alamy directly. I say “directly” because other agencies I put images with also put them on Alamy so, technically, I have more on Alamy but these 1024 images are those that I am directly responsible for. For those of you who don’t know, Alamy requires more of the photographer in return for a larger percentage of sales. You do your own editing, you do your own keywording, etc.

I’ve decided to set a goal of basically doubling my Alamy files by May 1, 2009. My goal is 2000 images posted and keyworded. That comes to about 10 images per day which doesn’t sound like much to keyword, but I’ll also have to prep and upload about 900 of those. This morning I keyworded a dozen images so — so far — I’m ahead of schedule. Which I need to be, because I’ll be away the first two weeks in February so I need to get a head start.

If I meet my first phase goal by May 1, the second phase will be to double the number again by the end of the year. By January 1, 2010, I want to have 4000 images with Alamy. Quadrupling my files in one year seems daunting but I have a backlog of images that need to be on the market. My hope is that, by quadrupling my images this year, I can quadruple my 2008 income from Alamy in 2010. When you put it in dollar terms, there’s quite an incentive.

I’ll post progress reports of my new goal on this blog. I’m still deciding how to do that exactly but it may just be a series of short “progress posts” or a line at the end of each regular post. Either way, I hope by making my progress public, it will provide a further kick in the pants.

Wish me luck.

Shiprock

shiprock

I’ll admit it. I shot this out of a moving car window. Sometimes you do what you gotta do.

High, high winds — supposedly a system pushed inland by hurricane Norbert — were blowing in the Four Corners area when my group of journalists were taken to Shiprock for a picnic lunch. Along the way, Shiprock would come and go through clouds of blowing dust and I decided to shoot a series of shots through the window just to see what I could get. I bumped up the ISO to 200 and shot at around 1/1500 of a second to eliminate the bouncing motion of the van. This is one of those shots. I crunched the contrast to make up for what was lost to the dust in the air. In other shots, I’m having trouble seeing the rock at all.

When we made our stop for lunch, I hopped out of the van and grabbed a few “real” shots. Gusts of wind around 65 mph made it difficult to stand, let alone keep a scene framed with a telephoto lens. I’m happy with several of those images but I think I prefer this shot with the rock in cloud shadow for its mood.

Stremelling technique

birdbaths

Stremel (streh’ mull) – To “Stremel”, it’s been “Stremelled”, I’ve been “Stremelling”.

Definition – the act of making an image largely through the use of luck. Term coined in reference to one Doug Stremel – the luckiest shooter on earth (although one Bruce Snell has also been instrumental in the development of the technique).

***

These blown-glass bird baths were on display outside of a garden shop. I went wide with my 17-35mm Nikkor and blindly held the camera underneath them pointing up to the overcast sky. It was all luck from there — no careful framing or focus point selection — just hoping for the best.

I’ve seen both my brother, Bruce, and Doug using this technique and I have to say that they look a little odd doing it. Or maybe they just look a little odd. I don’t know. Anyway, I’ve found myself following their lead on several occasions lately — recklessly abandoning the use of the viewfinder — and it’s almost always worked out well. Go figure.

Scouting

Clinton Library

Clinton Library scouting shotI’m often on a tight schedule when shooting and that’s not always a good thing. Yesterday, I had the luxury of getting into Little Rock fairly early so that I cold scout some things that I would be shooting during my stay here. Foremost among those was the Clinton Presidential Library. My scouting shot is seen in the small image and the resulting shot from later in the day is at the top of this post.

Scouting in this case was a huge help. I had originally wanted a shot from the cantilevered end of the Library. I’d seen shots like this that I thought were fairly successful. Once on site, however, I came to the conclusion that these must have been shot from the old railroad bridge that will be a future pedestrian path over the Arkansas River. Note the word “future”. The bridge is currently fenced off and has a disturbing lack of decking to walk on. These other photos I’d seen must have been made with more pre-planning and permissions than I can manage on this trip.

So, on to plan B. Walking around the Library I finally came across the fountains in front that I thought could be well used as a reflecting pool once it got a little darker. I framed up a few shots and knew where I wanted to be when I came back at sunset. I’m happy with the results but I also tried a few variations during the brief half hour of good light. Here’s another from the other end of the fountain where the water inexplicably shoots up higher. (Maybe this is a water pressure issue or maybe it’s symbolic — if I find out when I tour the Library later, I’ll let you know.)

Clinton Library, second option

Now… if only that light wasn’t burned out…

Kristen in red

Kristen in red

Here’s one more from the shoot with Kristen last weekend. This one is obviously a little more “processed”. I added the vignette and the blur in Photoshop and also overlaid a shot I had in my files of an old Korean manuscript. The background just felt like it needed a little texture.

Peyto Lake Panorama

Peyto Lake

I returned from Canada late Saturday night and jumped right back into work on Sunday. Today I finally had enough of a breather to start the post-processing from this trip. The shot above is a pano created with the Photo Merge command in Photoshop from eight separate shots I took at Peyto Lake. I shot them vertically from left to right, handheld, with a fair amount of overlap between frames. What I ended up with is a 70+ megapixel image that has detail that’s hard to believe. I am so spoiled by Photo Merge. This would have been hours of work to manually fit these images together.

More Canada photos to come as I work my way through the files. It’s almost like taking the trip twice — although I’d much rather be there in person again. What a great location and great people. I hope to get back soon.