Category Archives: HDR

Kansas State Capitol

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For five years I had an office just around the corner from the State Capitol in Topeka, Kansas. At the time we signed the lease on the place in 2003, I thought it would make for a great opportunity for me to build my library of Capitol photos. After all, I’d walk to work every day so I’d pass the building several times a week in all sorts of weather. What I didn’t realize was that the Capitol was about to undergo a long, long renovation. A renovation that would have it covered in scaffolding for the bulk of the time I officed downtown. When we moved to Lawrence six years ago, it was still impossible to get a clean shot of the most iconic building in Kansas. Only a few weeks ago did the work finish and the scaffolding and cranes came down. In the end, the copper on the dome had been replaced so the green patina is no more and the dome now has the dull sheen of a new-ish penny.

I photographed the interior a couple of weeks ago but with Spring finally arriving, I decided it was time to get back to updating my exterior photo files. Any photos of this building made prior to 2014 are now dated due to the new dome, so I’ll be continuing to revisit the Capitol many times in the coming year(s). Last night I got started by setting up shop on 9th Street — probably the best view of the Capitol if you want to see it in context to downtown. Until about 10 years ago, this was the one downtown intersection that still had historic buildings on all four corners. The northwest corner (in the distant right in this view) has since been redeveloped with a retail/parking structure, but this angle still remains one of the most “historic” views.

Here are a few more images made while waiting for the sun to set last night and experimenting with some different post-processing effects. All are from more or less the same position but shot with lenses of different focal lengths, each giving more or less prominence to the Capitol in relation to the other downtown buildings.

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Spa shoot in HDR

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I’m not usually a big HDR guy. The first few of those over-the-top shots I saw with hyper-dramatic clouds and impossible shadow detail were interesting, but I quickly tired of the look. But that’s not to say that all HDR is inappropriate. There are times that I find it incredibly useful, as in this shot of the Alvadora Spa at the Royal Palms in Phoenix, AZ.

The room was soothingly dim but it was quite bright outside. The client wanted to show both the interior and exterior spaces in the same shot — something that might have been a challenge back in the days of shooting transparency. Then, I probably would have waited for dusk, when it would get darker outside and I could achieve a better balance between the brightness of the interior and exterior spaces. Another alternative might have been to light the interior space to bring it closer to the exterior, but I was also interested in keeping a slow shutter speed so that the water falling on the table would be nice and silky looking.

With digital and HDR capabilities now, it really wasn’t difficult to achieve this shot, even given the massive contrast in the scene. I mounted my D700 with a 17-35mm f/2.8 zoom on a tripod and added a neutral density filter to cut even more light and get a longer exposure for the water. I then shot 5 bracketed shots, each 1 stop apart so that I had images exposed at -2, -1, 0, +1, and +2 stops with the middle shot being correctly exposed. The most underexposed image held detail in the bright sky and distant mountain, but the interior was extremely dark. The most overexposed shot held detail in every corner of the dark interior but had blown out portions of the exterior. Not to worry, though. This is where the HDR comes in.

With the images imported into Lightroom, I selected all 5 and opened them using the “merge to HDR Pro in Photoshop” option under the “Photo>Edit In” menu. Photoshop now did all the heavy lifting, opening all 5 images and combining them into one high-dynamic-range image that I was able to save back out as a 32bit tiff. It doesn’t look that great in Photoshop at this point, but not to worry. When that tiff was opened in Lightroom it looked and acted like any other RAW file, except that the shadow and highlight recovery sliders had much, much more information to work with and, with a few quick adjustments, I had the image you see above. Detail in the darkest shadow as well as information in the bright sky above that far mountain. By being careful not to push the contrast and clarity too far, I think I was able to avoid that unnatural look that so many think is the only purpose of HDR.

And, to rebel against the cold rainy supposedly Spring day outside my window today, I’ll leave you with a few more shots of what was a much warmer day spent at the Royal Palms in Phoenix, just a couple of weeks ago…

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The River

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I evidently hibernate in winter (my last post being nearly a month old now), but my friend and fellow photographer, Doug Stremel, and I ventured out early Wednesday morning for a day filled with finding images in the winter Kansas landscape. It’s a season that I don’t shoot enough but am striving to photograph more often. Winter was the favorite season for my college painting instructor, Robert Sudlow. I remember him once telling me that he had difficulty painting Kansas landscapes in summer because it was just “too green”. He found more subtlety and variation on those grey, overcast days when the snow was melting away. I’m understanding the beauty of that subtlety more and more myself as I continue to update my Kansas image files.

A different destination drew Doug and I out on Wednesday (more on that in the next post) but it wasn’t in a place that would work well at sunrise so we looked for another, nearby spot to take advantage of first light. Since water effectively doubles your sunrise impact by reflecting the colors, we headed for the Kansas River. Hiking down to the water’s edge in near total darkness provided its own challenge, but it was worth it when the light came up to reveal the melting ice flows. We heard them before we could see them, crashing into one another as they drifted downstream.

The shot at the top of this post is, I believe, the second frame I’ve shot in 2013.

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As the sun rose, the colors shifted dramatically and offered a fantastic range of photo options. The following photo was taken about 35 minutes after the first and both are fairly true to the actual colors we were seeing.

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This is also an HDR shot (High Dynamic Range) assembled from three separate bracketed captures spanning six stops. The process allowed me to get a much wider range of contrast into one image, something that was more and more necessary as the sun rose higher — getting brighter — while the foreground shadows remained very dark. I don’t like to push HDR as far as some do to get that other-wordly effect that so many relate to the process but, instead, I like to use it to get closer to what the scene actually looked like to my eye at the time of capture.

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There were also plenty of options for detail shots of the melting ice along the river bank. All-in-all, a good start to the day, and a great start to 2013. I’ll continue with more of Wednesday’s locations in the following post.