Category Archives: photography

Antiquity

This could be a long one but I’ll do my best to be brief.

My wife has an incredible collection of family furniture. Originally Scottish, some of the family wound up in Montreal where they were prominent engineers involved in, among other things, the building of the earliest canals along the St. Lawrence. Wealth followed and a mansion was built somewhere around the year 1800. The family had furniture built specifically for this home, sourcing the wood from as far as South America.

I’ll pause here to say that I’ve yet to entirely read the massive volume of family history that is somewhere among our packed belongings and I haven’t done any real research on this information. But, family lore has been passed down and I’m repeating it here. Hopefully I’ll get at least some of it right.

Not long after the construction of the mansion in Montreal, it burned. To the ground. But not before the servants were sent inside to save a few pieces of furniture including a large gentleman’s press (like a combination wardrobe and dresser), a gaming table, a foot stool and an enormous gilded mirror. In the following years, the family’s fortune disappeared but these few pieces of furniture survived and were dutifully passed from generation to generation. For the last 20 or so years, they’ve been in our possession.

The 200-plus years haven’t been entirely kind. We had the table restored a few years ago and, when it came time to move last year, we decided to deliver the gentleman’s press to the restorationists for its turn. It’s big — really big — and we figured that we could move it fewer times this way.

To make a long story short, it’s been there for a few months now and we’ve visited from time to time to consult on the details of the work. We made another stop yesterday and I decided to bring the camera along to record the progress. The piece had become nearly black with age and this trip would be the first where we would see a few of the parts with the build-up removed and the original glow restored.

restored piece of antique furniture

Suffice it to say that they are doing an incredible job. I was photographing a few of the resurrected parts like this door bracket, marveling at the glow and depth of the wood grain when…

I got distracted.

Did you notice the texture of the table that the woodwork is sitting on? I’ve been a semi-obsessed collector of textures for decades. They are part of an ongoing project of mine and this work surface was a gold mine. The restorationist probably thought I was nuts as I began to photograph the table top instead of the fruits of his restoration efforts. In the end I had over a dozen textures with a wide variety of tones and color like this:

texture

It may not look like much but — trust me — this kind of layered surface isn’t easy to find. What do I intend to do with them? Well, I’ve long been working on a series of artificially aged images that involve textures like these overlaid on other images to create the look of a worn and aged photo. I’ll post more of these later and plan an entire gallery on my site but here’s an example from last Fall’s trip to China:

Shanghai Pearl Tower

The original of this image can be seen here.

See? There was a photography-related aspect to this story after all. I’ll post more of my texture experiments later and, when the gentleman’s press finally arrives, I’ll post a before and after of it as well.

Just goes to show you — always take your camera.

Dynamic range

Mosque of Mohamed Ali in Cairo, Egypt

Back in the days of film, I shot only transparency — and in the latter days, primarily Fuji Velvia which was very contrasty and had rich, almost unnaturally saturated color. Transparency film was unforgiving and had very little dynamic range, meaning that it could only record a small portion of the range of lights and darks that you could see with your eyes. While digital still is far from being able to record an image with as wide a contrast range as the eye, it’s closing the gap. As I’m processing my photos from Egypt, I’m seeing that my new Nikon D700 has closed the gap even more.

I would have been hard pressed to get the shot above back in my film days. The sun was blazing and the contrast between the brightly lit stone in the courtyard of the Mosque of Mohamed Ali in Cairo’s Saladin Citadel and the shadows in the upper reaches of the surrounding arcade was huge. Still, with some minor tweaking in Adobe Lightroom 2, there is detail in every nook and cranny (reducing the image for the web has crunched the contrast a bit again but, trust me, the full size image has a ton of detail).

The camera doesn’t make a great photo, the photographer does. But a good camera can enable a photographer to capture scenes that would otherwise have been nearly impossible. I consider it a partnership. Technology is a tool like any other and I’m happy to make use of it.

update: I lost momentum on my Alamy goals while in Egypt. You can see by the chart below — the steady line is my goal of 10 images keyworded per day, the green line is my actual progress. I was ahead of schedule before Egypt but the flat section shows my lack of progress while I was out of the country. Time to make up for lost time now.
progress chart

Portrait from a moving bus

portrait of Egyptian man

A press trip can be a whirlwind. On my recent trip to China my host describe it as “admiring the blossom from a galloping horse”. No truer words have been spoken. Yesterday I was on a bus with several other photographers and riders for over seven hours. Sometime in the mid-morning, a friendly competition began to see who could grab the best shot from the window of the moving bus. The above is one of my entries. I have others I’ll share later but want to process on my better computer screen once I’m home.

For those interested in the technical details: Nikon D300 & 80-200 zoom at 200mm, ISO 400, f/6.7 at 1/1000 of a second. The bus was probably doing about 30 mph.

Good night, Shanghai

Shanghai Pearl Tower

I had dinner atop the Oriental Pearl Tower on my last night in China and hoped to finally get that dusk shot I’d been waiting for. Not only was it threatening rain, but I had learned the night before when trying to shoot the skyline that most of the buildings were not lit until about an hour and a half after sunset. So, no twilight skies with lit skyscrapers on this trip. After dinner, it was pouring rain. Buckets. But, as I made my dash out of the building with my gear bundled tightly under my raincoat, I looked up and saw the tower lit for the first time. I found a small overhang from a ticket window that provided enough shelter that I could get this shot. One of the last 5 of my trip — and the rest of those were primarily shots I took of my amazing hotel room to show friends.

Not the shot that I had envisioned, but I like it. If the lights couldn’t be on while there was some sky color, I’m actually glad to have had the cloud cover so that the spotlights had something to illuminate. I’ll just have to come back when that newest tallest-building-in-China is complete and get my skyline shot from across the river then.

I’ve been lazy the last two days and haven’t updated my Alamy files at all so I keyworded 36 images this morning to cover today’s goal as well as that of the past two. Now I’m all caught up — for the time being. Only 874 more images to prep to meet my May 1 goal of 2000 images.

Shanghai – the last day

shanghai morning

Hopes for the sparkling twilight or early morning skyline shot of Shanghai dimmed on the morning of my last day in China when I awoke to more overcast skies. Still, a cab ride down to the riverfront couldn’t hurt. If there’s no sunrise, surely there will still be something to shoot.

The color that was lacking in the sky was provided by the silk garments worn by the wonderful people of Shanghai who seem to come out every morning to exercise along the promenade. I previously posted a shot of a gentleman flying a kite that is one of my favorites from this trip. It was also shot this morning under the grey blanket of clouds and just goes to show: it’s not always what you are looking for, but what you find.

My Alamy goals are progressing well. Since my last post I’ve keyworded 95 images (my goal for those 5 days was only 50) and I uploaded another 223 which passed quality control earlier this evening. It’s a bit of a gamble to upload so many images at one time because, if any one is rejected by QC, the entire batch gets chucked out. Happily, everything sailed through.

I can’t get overly confident in my goals, however. Starting this weekend, I’ll be on the road for two weeks and probably won’t get any keywording done at all. I’ll need to either make up the slack before I leave or have lots of catching up to do when I get back. At least for now I can say that I’m ahead of schedule.

Pearl of Shanghai (part 1) and goal setting

Pearl Tower, Shanghai, China

I mentioned in an earlier post that my main goal on this trip to the Shanghai region of China was to get a good, iconic skyline shot of the Oriental Pearl Tower and the recently developed Pudong area. I showed a photo of two nearby skyscrapers — currently the tallest in China — with a fairly blue sky behind. This shot was taken from the observation platform of one of those skyscrapers, the Jin Mao, a few minutes later. The haze was much thicker from above and I’ve actually boosted the contrast quite a bit here to somewhat compensate for it.

A tip for those of you who have also found yourself shooting through glass in situations like this: get your lens as close to the glass as possible and drape your jacket over your head and camera to block any reflections coming from behind and beside you. You might look stupid but it gets the job done. Any color cast from tinted glass can be corrected in Photoshop.

This was not the iconic shot I wanted but in some ways the haze helps to separate the Pearl from the older city in the background so I don’t think it’s is a total loss. I still wanted the shot that was in my head, though. I’ll post my progress on that front as my last two days in Shanghai sped on in the coming posts.

Meanwhile, in the present, I’ve been making goals for the coming year. I’m not really a New Year’s Resolution kind of guy but I do like to have goals. They keep time from getting away from me.

Over the last year, I neglected my image files on Alamy. Between travel, moving, and feeding other stock agencies, I just didn’t increase the number of images placed with Alamy the way I should. So… 2009 is my catch-up year.

As of yesterday, I had 1024 images online with Alamy directly. I say “directly” because other agencies I put images with also put them on Alamy so, technically, I have more on Alamy but these 1024 images are those that I am directly responsible for. For those of you who don’t know, Alamy requires more of the photographer in return for a larger percentage of sales. You do your own editing, you do your own keywording, etc.

I’ve decided to set a goal of basically doubling my Alamy files by May 1, 2009. My goal is 2000 images posted and keyworded. That comes to about 10 images per day which doesn’t sound like much to keyword, but I’ll also have to prep and upload about 900 of those. This morning I keyworded a dozen images so — so far — I’m ahead of schedule. Which I need to be, because I’ll be away the first two weeks in February so I need to get a head start.

If I meet my first phase goal by May 1, the second phase will be to double the number again by the end of the year. By January 1, 2010, I want to have 4000 images with Alamy. Quadrupling my files in one year seems daunting but I have a backlog of images that need to be on the market. My hope is that, by quadrupling my images this year, I can quadruple my 2008 income from Alamy in 2010. When you put it in dollar terms, there’s quite an incentive.

I’ll post progress reports of my new goal on this blog. I’m still deciding how to do that exactly but it may just be a series of short “progress posts” or a line at the end of each regular post. Either way, I hope by making my progress public, it will provide a further kick in the pants.

Wish me luck.

Inauguration eve

I ran across a link to the New York Times’ feature, Obama’s People on John Nack’s blog this morning. I really feel like these portraits show a government “of the people”. Check ’em out and watch the “behind the scenes” as well. What a production it must have been to generate this seemingly simple series of shots.

I can’t say how excited I am about the inauguration tomorrow. Oh, how I would love to be there.

Forces of progress

Shanghai financial district

I still have a few more photos from China that I want to share before my next trip begins on the 1st of February. This is a shot of two of the tallest buildings in China — part of Shanghai’s Pudong new development area. This area has sprung up from nothing in the last two decades and is now a symbol of both Shanghai and a changing China. Such a symbol that my main goal for this trip was to get a good, iconic skyline shot from across the river with the futuristic Pearl Tower and these other giant skyscrapers. More on that effort in the days to come but I’ll use this shot to talk about the shelf-life of Shanghai skyline photos.

In the guidebook I purchased just prior to my trip (published in 2005) photos of this area showed only the 88-story Jin Mao on the left. It was then the tallest building in China. The building on the right has since popped up — taller — and is now the tallest building in China. Great time to get some new, updated skyline shots, right? Surely that guidebook publisher is looking for new images when they go to reprint. But wait. Construction is already underway just blocks away for another new building that will eclipse both of these towers. Looks like my shots will be stale in a few months time, too.

Just as well. Even though it looks like a beautiful day in this shot, haze made getting a distant skyline shot difficult during my two days in Shanghai. I’ll post a few shots that I did manage to get during that time over the next couple of weeks but that twilight shot of sparkling towers reflected in the river just never came together for me. Flexibility is the name of the game, though. There’s always something to shoot.

Progress has also been affecting my life in other ways lately. I’ve recently updated all of my Adobe software to the CS4 versions. That would include Photoshop, InDesign, Dreamweaver, Flash, Fireworks, Lightroom, Contribute… you get the picture. It’s always a little unnerving to update so much software all at one time — especially software that you depend on daily for your livelihood — and there have been a few hiccups but nothing insurmountable. It’s just that darned learning curve again.

Don’t get me wrong — I love to learn new things and I thrive on change — but there’s just a whole lot at once right now. Beyond the software, I’m still sorting out my new travel kit and the new D700 and D300 bodies. I finally decided it was time for a new bag, so I ordered a Think Tank Photo Airport Ultralight.

think tank bagThis bag weighs in at just over 2 pounds when empty so it adds very little to the carrying weight which is a major concern of mine, especially when getting through airports. The dimensions look good for the overhead bin and it has a very sleek outer surface that should avoid snagging as it gets stuffed in. I’ll typically still pack a small bag in my checked luggage that I can use on the street. Backpacks are great for getting all of your gear to a location, but they’re not so convenient when you’re trying to get to a lens fast on a busy Shanghai street. So far, I’m very impressed with this as a travel bag and look forward to putting it and all the other new stuff through their paces next month.

Seventeen days and counting until my 2009 travel year begins. I’d better start going through that 400+ page D700 manual.

Winter

frozen pond

If anyone suffered retinal damage from the two previous, intensely-colorful posts, I’ll offer a couple of soothing, nearly-colorless images today. We’ve been getting some snow lately and yesterday morning there was also a light fog so I thought it might be a good time to get out and do some testing of the new equipment. The shot above was made with the full-frame Nikon D700 and the Nikkor 17-35 at 35mm. I’ll try not to keep saying this but it is soooo nice to have that lens back as it was intended. The cropped factor of the previous Nikon bodies reduced the 17mm end to the equivalent of a 25 — not nearly as fun and a real loss when it came to interior work.

trees in snow

This shot is from the D300 with the 24-120 kit lens that came with the 700. This will be my first lens with vibration reduction so it will be interesting to see how it fares. The image above was made at the long end of the zoom at 120mm, roughly equivalent to 180mm since it was on the cropped-sensor body. I’m looking forward to having a full-frame and cropped-sensor body as it really expands the range of the lenses I carry. I imagine I’ll keep a wide on the D700 most of the time and take advantage of the crop factor on the D300 to get that extra telephoto reach.

More glorious yellow

Zhenjiang, China

Three monks at the Buddhist temple in Zhenjiang, China. Great faces, great color. How can you go wrong?

The packages I mentioned in my last post have arrived. Unfortunately, I’ve had little time for anything other than unpacking them. First among the new arrivals is a shiny new Nikon D700. I’ve waited a long time for a full-frame digital body from Nikon and the first thing I did was introduce her to my Nikkor 17-35mm. This had been a favorite lens of mine on my old film bodies and it’s good to have the wide end back. I think these two will be nearly inseparable.

An odd circumstance of pricing made it cheaper to buy the D700 with the 24-120 lens than without. It wouldn’t have been my first choice in a mid-range zoom but since it was basically free I could hardly say no. I’ll put it through its paces and see how it does. On the D300 it will be a crop factor similar to a 36-180 so if I carry it along with the 17-35 on the D700 I’d have most bases covered.

Part of my reasoning of going with the D300 and D700 is that their controls are arranged very similarly. When I was shooting with the D200 and D300 in China, I was constantly hitting the menu button on the 300 when meaning to hit the preview button (Nikon — stop moving buttons, please!). This would typically bring up the menu with “format card” highlighted which was particularly disconcerting. Anyway, while the two new bodies aren’t exactly the same, more similarity will help. As will their both having much better high ISO performance. I’ll post images and more thoughts when I get the chance to get these cameras into the field.

I should also mention that I added a Lensbaby Composer to the order. I borrowed a 2nd generation Lensbaby from my friend, Doug, when I went to the Gaspe last summer and had a ton of fun with it. The Composer is a little more rigid and controllable than the older models but I hope it will still be as enjoyable. I have to say my initial reaction was mixed. The build seems a little rough and the swivel clicks loudly when you first shift it from its current position. Maybe that will loosen up with use or I’ll get used to it. We’ll see.

The other major addition to the ol’ camera bag is a new iPhone. I’ve been nursing an ancient old cell phone for years but finally made the move to join the rest of the 21st century and now have a phone that can actually receive a text message! First reaction to this piece of gear is sheer joy. I can’t believe how sweet this piece of technology is. I’ve already hit the app store for a sunrise-sunset calculator called Focalware, too. I had something similar on an old Palm device and found it very useful. Nice to have that info handy again.

So much to experiment with in the coming days. Sure would be nice if the weather would cooperate with a nice day for shooting this week but it looks like it will be luxurious if it gets above freezing. Maybe we’ll get a good snow…