Author Archives: Michael

Resurfacing

After a tough few weeks, I’m returning to a somewhat normal schedule. Some would argue whether I ever operate on a “normal” schedule, but at least things are becoming more normal by my own warped standards. One part of what I like to think of passing as a routine is my morning walk. They’ve been few and far between lately, but the weather — and life — has been cooperating recently and I’m trying to reawaken the habit.

I sometimes build additional purpose into these walks by taking a camera along to experiment with a new lens or technique. On this particular recent walk, I limited myself to my Lensbaby Composer and my D700. The shot at the top of this post was created by swinging the camera downward during a .6 second exposure. I wanted to abstract the scene of grass and tree trunks to its essence and I’m pretty happy with the result. It took more than one try, but this is actually pretty close to what I was looking for.

The shot of the tree was pretty straightforward until I applied some textures in post using Photoshop CS5. And here’s one more Lensbaby shot that sums up the serenity of a pre-dawn stroll:

Battle of Black Jack

Today’s shoot comes from a reenactment held this morning of the 1856 Battle of Black Jack, where John Brown began his war on slavery near what is now Baldwin City, Kansas — then just a camp along the Santa Fe Trail. I’ll leave it to the battlefield’s website to give the history. For me it was just a great morning of shooting (no pun intended). I’ve just had a couple of hours to begin sorting through the take, but here are a few I like so far…







Wicked weather

I’m still catching up from having been gone the better part of April. In some ways my days seem to be mirrored by the current Midwestern weather — chaotic and unpredictable. Thankfully my situation is far less dangerous than the weather system. My heart goes out to all of those who have been affected by the recent tornados and other severe weather in Missouri, Kansas, Oklahoma, Alabama… seems like just about everywhere this year. I’ve lived in the central part of the U.S. all of my life and can’t remember another year like this one.

The shot above is not from this weather system but from a brief rainstorm in the South Pacific last month. Lightroom’s contrast, curves and clarity provided a little extra intensity. You can practically make a sunny day look like a supercell megacyclone with the tools we have available to us these days.

Sigatoka Market

Life continues to keep things interesting around here so I’ll toss out another shot from Fiji to keep y’all occupied as I dodge and weave. On my last day in Fiji, I had some time to kill and I spent a couple of hours wandering the market in Sigatoka. The place was filled with portrait potential. The light bounced around the stalls nicely and the faces were fantastic. Here’s just one. It’s a bit more “processed” than usual but I was experimenting. I’ll live with this version for a while but I have a feeling this might be a shot I come back to from time to time. It has a painterly quality that I like but I’m not sure it’s coming across at its full potential yet.

Hocking Hills State Park, Ohio

I’m back from a week of shooting in the Midwest — mostly Ohio and Indiana. It’s always bothered me, that name “Midwest”. I live very near the center of the U.S. and the Midwest is east of me. Seems like “Midwest” ought to be Utah — halfway between the center and the west coast. Shouldn’t Ohio be “Mideast”? But I digress…

Most of the work I was doing on this trip was on assignment and, unfortunately, I can’t share it prior to publication. I did squeeze in a quick trip to Hocking Hills State Park for my own stock, however. I’d visited before about a year and a half ago, but lack of water made for no waterfalls to shoot. This time was much different. Parts of the park were closed due to flooding but the parts that were open were stunning. I got absolutely soaked by the on-and-off rain, but enjoyed the heck out of it. I know I’ve just come from Fiji — many people’s dream location — but it’s really these dark, misty, craggy, rocky places that I love the most. I’m not sure what that says about me.

I should also mention that I found two pieces of equipment essential for the Hocking Hills shoot. First, a tripod was an absolute must. Without long exposures, the water didn’t have nearly as much movement or mood. The other thing that aided in the long exposures was my 8 stop neutral density filter. It adds no color to the scene (thus the name “neutral”) but it cuts the light down so that I can get much longer exposures than even my lowest ISO and smallest aperture will allow. NDs and polarizers are the only filters I carry any more because they both have abilities that I can’t mimic later in Photoshop or Lightroom. When I reeeally want to cut the light down — say, for a long exposure in full daylight to show clouds streaking across the sky — I’ll stack up all of my NDs and polarizers to the point that it’s hard to see anything through the viewfinder.

More from this shoot and Fiji in the coming days.

Fire dance

The coming week is going to be busy and there’s a good chance that I won’t have an opportunity to post anything so I’ll leave you with a fun shot today, just in case you end up having to stare at it all week. This one’s from an evening spent photographing fire dancers on the beach in Fiji. Not really an evening as much as a few minutes. There’s a brief period when the sky is dark enough but not too dark to balance with the fire and the light being cast by the fire. It’s fast and exhilarating — made more so by the bits of flaming material that occasionally gets flung in your direction. These guys and gals were amazing and put on quite a show.

For those of you interested in technical stuff, this was f/5.3 at 1/6th of a second. It was shot at 6:28. The entire shoot lasting from 6:17 until 6:37. 400 shots in 20 minutes (I’m glad I wasn’t having to change film). There are plenty more fun ones from this series which I’ll share in the coming weeks.

Palm trees, two ways

This is the idyllic view that I had from my hotel room for most of my time in Fiji. Abstracted to just palm fronds, trunks and ocean, it tells the story of a perfect vacation spot. I shot this view several times over the course of my stay, taking advantage of different lighting, clouds, etc., but perhaps my favorite version of it was the first one I shot, and in the most imperfect situation:

It was hot in Fiji. And humid. And when I checked in to my room, the air conditioning was cranked to the point that water was condensing on the sliding patio door to my balcony. It was also a bit cloudy that first day which, in combination with the “rain” on the glass, painted a very different picture. As a stock image, I like the way this shot says “the vacation that wasn’t”, “rained out”, etc.

When traveling — and certainly when on vacation — I would much rather have the first scene be the one outside my window, but I’m very much hoping that some photo editors out there are in need of the second version.

Back from Fiji

The Society of American Travel Writers Freelance Council (which I currently chair) held its Spring meeting in Fiji last week. In between business meetings, professional development sessions, and some spectacular events put on by our hosts, there were a few hours left to squeeze full of all manner of touring and photo opportunities. Caving, cruising, fire dancing — you name it. Quite a week indeed.

This was my first outing with the Nikon D7000 and my new Think Tank Photo sling bag. Both performed admirably. The sling was a bit less comfortable than my old backpack on long airport treks between gates (anyone dashed the several blocks between LAX’s terminal one and the international terminal lately?) but it more than made up for it when it came to accessing gear. It’s really nice to be able to swing it around and open it up from the top, regardless of which shoulder you’re wearing it on. Nice work Think Tank! The smaller size made it super easy to get into overhead compartments, too.

The D7000 and I had a few issues at first but we’re working them out. The focus seems a bit quirky to me but I probably just need to explore the various settings a bit more. The really odd thing to me is that I always have to refocus when shooting video. I tend to take a still first to test exposure, but when I then switch on live view it’s out of focus and requires another half-press of the shutter release — which is kind of counter-intuitive given that you have a separate button on the back for video. I don’t know what’s up with that. I also had some trouble early on getting my exposure to match my manual settings for stills but then realized there is a menu setting where you can turn on “manual movie settings”. It’s off by default, evidently. I guess I should have devoted a bit more time to reading the manual before I left. Oh, well.

Anyway… more on all of this soon. The mad rush to get these images catalogued before the next trip is on. As usual, I’ll share a few shots as I make my way through the shoot.

I like my water clear, thank you

Adjusting this photo from Saturday’s NE Kansas excursion was a little more work than it needed to be. This is the Buffalo Soldier Memorial at Fort Leavenworth and apparently someone thinks the water looks better dyed an unnatural blue/green color. That, or it’s been this way since St. Patty’s day. Maybe there is some other perfectly reasonable explanation for the water’s color, but it looked really, really strange in the falls below the sculpture. You can see for yourself in the un-fixed horizontal version below:

Note to all fountain owners — green water doesn’t look better! In Lightroom, I had to go through a whole process of selectively desaturating the aqua range of the color spectrum and painting in with the adjustment brush a combination of increased contrast and desaturation until things were looking somewhat natural again. Whew.

By the way, I was also putting a new camera bag through its paces on Saturday. For my upcoming Fiji trip in just a few days, I picked up a new Think Tank Sling-O-Matic. Here’s a photo of it from their site:

I had originally planned on getting the smaller Sling-O-Matic 10 but it wasn’t in stock locally and upon seeing the size of the 20, thought it might better fit my gear. This bag is slightly smaller than my Think Tank Airport Ultralight and is a sling-bag instead of a full backpack. While I’ll miss the distribution of the weight across both shoulders, I welcome the ability to swing the bag around to access lenses without taking the bag off.

The bag worked great on Sunday and I look forward to seeing how it does on a longer trip. My Ultralight fit nearly every overhead compartment I encountered although it was a bit tight in some. This one should slide right in, but the laptop will have to be carried separately in its own sleeve. There is a side pocket that will take the laptop on the Sling, but an inch or so sticks out and I’d be a little nervous that it might work its way out while out of my view on my back (the way the pockets work is that they’re top-opening when you sling the bag ’round front, but are side-opening when worn on the back).

I’ll report back after the Sling has logged a few air miles.

Red barn

Taking advantage of a nice Spring day, I rode along with my buddy, Doug Stremel, as he scouted a Kansas Byways project he’s working on. We covered a good portion of the northeast corner of the state and ran across some great locations like this amazing red barn. I think I’ll be coming back here once the crops are in — and I won’t be surprised if I run into Doug there when I do.